Music of Canada
Canada's music industry has produced internationally renowned artists.[6] Canada has developed a music infrastructure, that includes church halls, chamber halls, conservatories, academies, performing arts centres, record companies, radio stations, television music video channels.[7][8] Canada's music broadcasting is regulated by the Canadian Radio-television and Telecommunications Commission (CRTC).[7][9] The Canadian Academy of Recording Arts and Sciences administers Canada's music industry awards, the Juno Awards, which commenced in 1970.
Contents |
History
Aboriginals
Further information: Aboriginal music of Canada
Before European settlers came to what is now Canada, the region was occupied by a large number of Aboriginal peoples, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Inuit and Dene people to the North, and the Innu and Mi'kmaq in the East.[10] Each of the aboriginal communities had (and have) their own unique musical traditions. Chanting - singing is widely popular and most use a variety of musical instruments.[10] They used the materials at hand to make their instruments for thousands of years before Europeans immigrated to the new world.[11] They made gourds and animal horns into rattles, many rattles were elaborately carved and beautifully painted.[12] In woodland areas, they made horns of birchbark and drumsticks of carved antlers and wood.[11] Drums were generally made of carved wood and animal hides.[13] These musical instruments provide the background for songs and led to aboriginal dances.[13] For many years after Europeans came to Canada, First Nations and Inuit peoples were discouraged from practicing their traditional ceremonies.[14] In 1606-1607 Marc Lescarbot collected the earliest extant transcriptions of a songs from the Americas: three songs of Henri Membertou, the sakmow (Grand Chief) of the Mi'kmaq First Nations tribe situated near Port Royal, present-day Nova Scotia.[15]17th century
See also: Canadian classical music
French settlers and explorers to New France brought with them a great love of song, dance and fiddle playing. Beginning in the 1630s French and Aboriginal children at Quebec City were taught to sing and play European instruments, like viols, violins, guitars, transverse flutes, drums, fifes and trumpets.[4] Ecole des Ursulines and The Ursuline Convent are among North America's oldest schools and the first institutions of learning for women in North America.[16] both were founded in 1639 by French nun Marie de l'Incarnation (1599–1672) alongside laywoman Marie-Madeline de Chauvigny de la Peltrie (1603–1671) and are the first Canadian institutions to have music as part of the curriculum.[17]The earliest written record of violins in Canada comes from the Jesuit Relation of 1645.[18] The Jesuits additionally have the first documented organ sale, imported for their Quebec City chapel in 1657.[1][18] Notre-Dame de Québec Cathedral build in 1647 is the primate church of Canada and seat of the Roman Catholic Archdiocese of Quebec. It is the oldest Catholic "Episcopal see" in the New World north of Mexico and site of the first documented choir in Canada.[19]
Canada, New France first formal ball was given by Louis-Théandre Chartier de Lotbinière (1612–1688) on 4 Feb. 1667.[20] Louis Jolliet (1645–1700) is on record as one of the first classically trained practicing musicians in New France, although history has recognized him more as an explorer, hydrographer and voyageur.[21] Jolliet is said to have played the organ, harpsichord, flute, and trumpet.[21] 1700, under British rule at this time, an organ was installed in Notre-Dame Basilica in Montreal and military bands gave concerts on the Champ de Mars.[17] A French-born priest, René Ménard, composed motets around 1640, and a second Canadian-born priest, Charles-Amador Martin, is credited with the plainchant music for the Sacrae familiae felix spectaculum, in celebration of the Holy Family feast day in 1700.[7]
18th century
Joseph Quesnel (1746–1809)
After the 1760s, regular concerts became a part of the cultural landscape, as well as a wide variety of dancing. Operatic excerpts began to appear, and before the end of the century Canada had its first home-grown grand opera.[4] A "Concert Hall" existed in Québec City by 1764 and subscription concerts by 1770, given, one may presume, by band players and skilled amateurs.[27] Programs for the Québec City and Halifax concerts of the 1790s reveal orchestral and chamber music by Handel, J.C. Bach, Haydn, Mozart and Pleyel.[5] Canada's first wildly published sheet music are two operas written in late 18th century by New France composer, poet, and playwright Joseph Quesnel (1746–1809).[28] The instrument of favor for the lower-class was the fiddle. Fiddlers were a fixture in most public drinking establishments.[29] The late 18th century two new melodic instruments the diatonic harmonica and the button accordion make their appearance in folk-music tradition.[29] God Save the Queen has been sung in Canada since British rule and by the mid-20th century was, along with "O Canada", one of the country's two de facto national anthems.[30][31][32][33]
19th century
See also: Celtic music in Canada
The beginning of the 19th century Canadian musical ensembles had started forming in great numbers, writing waltzes, quadrilles, polkas and galops.[7][34] The first volumes of music printed in the Canadas was the "Graduel romain" in 1800 followed by the "Processional 'sic' romain" in 1801.[7] Folk music was still thriving, as recounted in the poem titled "A Canadian Boat Song". The poem was composed by the Irish poet Thomas Moore (1779–1852) during a visit to Canada in 1804.[35] "The Canadian Boat Song" was so popular that it was published several times over the next forty years in Boston, New York and Philadelphia.[4] Dancing likewise was extremely popular form of entertainment as noted In 1807 by the Scottish traveler and artist George Heriot (1759–1839), who wrote..The whole of the Canadian inhabitants are remarkably fond of dancing, and frequently amuse themselves at all seasons with that agreeable exercise.
— George Heriot, Travels Through the Canadas, 1807
The Temple of the Children of Peace, where the band played from the second floor.
Alexander Muir (1830–1906)
By the time of Canadian Confederation (1867), songwriting had become a favored means of personal expression across the land. In a society in which most middle-class families now owned a piano, and standard education included at least the rudiments of music, the result was often an original song.[42] Such stirrings frequently occurred in response to noteworthy events, and few local or national excitements were allowed to pass without some musical comment.[43][44]
The 1870s saw several conservatories opened their doors, providing their string, woodwind and brass faculty, leading to the opportunity for any class level of society to learn music.[45] 'One Sweetly Solemn Thought in 1876 by Hamilton-based Robert S. Ambrose, became one of the most popular songs to ever be published in the 19th century.[34] It fulfilled the purpose of being an appropriate song to sing in the parlors of homes that would not permit any non-sacred music to be performed on Sundays. At the same time it could be sung in dance halls or on the stage along operas and operettas.[46]
Calixa Lavallée, (1842–1891)
Leo, the Royal Cadet a light opera with music by Oscar Ferdinand Telgmann and a libretto by George Frederick Cameron was composed in Kingston, Ontario in 1889. The work centres on Nellie's love for Leo, a cadet at the Royal Military College of Canada who becomes a hero serving during the Anglo-Zulu War in 1879. The operetta focussed on typical character types, events and concerns of Telgmann and Cameron's time and place.[49]
20th century
1900–1929
R. Nathaniel Dett (1882–1943)
Murray Adaskin, (1906-2002)
In 1925, the Canadian Performing Rights Society was formed to administer public performance and royalties for composers and lyricists. It became known as the Composers, Authors and Publishers Association of Canada (CAPAC).[63] Toronto-born Murray Adaskin (1906–2002) was a violinist, composer, conductor and teacher at the University of Saskatchewan. From 1923 to 1936 he was an orchestral and chamber musician with the Toronto Symphony Orchestra, he was later named head of music at the University of Saskatchewan.[64] He was a composer-in-residence at the University of Saskatchewan, the first appointment of this type in Canada.[65]
1930–1959
See also: Canadian rock and Canadian blues
Guy Lombardo (1902–1977)
Emerging out of the great depression on near equal-footing to American popular music, Canadian popular music continued to enjoy considerable success at home and abroad in the preceding years.[63][69] Among them Montreal's jazz virtuoso Oscar Peterson (1925–2007) who is considered to have been one of the greatest pianists of all time, releasing over 200 recordings and receiving several Grammy Awards during his lifetime.[70] Also notable is Hank Snow (1914–1999), who signed with RCA Victor in 1936 and went on to become one of America's biggest and most innovative country music superstars of the 1940s and 1950s.[71] Snow became a regular performer at the Grand Ole Opry on WSM in Nashville and released more than 45 LPs over his lifetime.[72] Snow was one of the inaugural inductees to the Canadian Songwriters Hall of Fame started in 2003.[72]
Canada during the Second World War produced some patriotic songs, but were not hits in the music industry sense.[63] A number of Canadian singers who learned their craft in Canadian opera companies in the 1930s went on to sing in major international opera houses.[73] Most notable from the 1940s is contralto singer Portia White (1911–1968). She achieved international fame because of her voice and stage presence.[74] As a Canadian female of African descent, her popularity helped to open previously-closed doors for talented women who followed. She has been declared "A person of national historic significance" by the Government of Canada.[74] In 1964 she performed for Queen Elizabeth II, at the opening of the Confederation Centre of the Arts.[75]
Paul Anka, 2007
1958 saw its first Canadian rock and roll teen idol Paul Anka, who went to New York City where he auditioned for ABC with the song, Diana.[79] This song brought Anka instant stardom as it reached number one on the US Billboard charts.[80] "Diana" has gone on to be one of the best selling 45s in music history.[81] US-born rockabilly pioneer Ronnie Hawkins came to Canada in 1958, where he became a key player in the Canadian blues and rock scene.[82] The 4th of October was declared "Ronnie Hawkins Day" by the city of Toronto when Hawkins was inducted into Canada's Walk of Fame.[83] He was also inducted into the Canadian Music Industry Hall of Fame[84] and his pioneering contribution to rockabilly has been recognized with induction into the Rockabilly Hall of Fame.[85]
1960–1999
See also: Canadian jazz
Neil Young, 2009
The American and British counterculture explosion and hippie movement had diverted music to that which was dominated by socially and American politically incisive lyrics by the late 1960s .[91] The music was an attempt to reflect upon the events of the time -- civil rights, the war in Vietnam and the rise of feminism.[92] This led to the Canadian government passing Canadian content legislation to help Canadian artists. On January 18, 1971 regulations came into force requiring AM radio stations to devote 30 per cent of their musical selections to Canadian content. Although this was (and still is) controversial, it quite clearly contributed to the development of a nascent Canadian pop star system.[61]
Rush, 2004
Canada's first nation-wide music awards began as a reader poll conducted by Canadian music industry trade magazine RPM Weekly in December 1964.[97] A similar balloting process continued until 1970 when the RPM Gold Leaf Awards, as they were then known, were changed to the Juno Awards.[97] The Canadian Academy of Recording Arts and Sciences held the first Juno Award ceremony in 1975.[98] This was in response to rectifying the same concerns about promotion of Canadian artist that the Canadian Radio-television and Telecommunications Commission had.[97]
Canadian music changed course in the 1980s and 1990s, the changing fast-paced culture was accompanied by an explosion in youth culture.[99] Until the mid-1960s, little attention was paid to music by Canadian daily newspapers except as news or novelty. With the introduction during the late 1970s of the "Music critic", coverage began to rival that of any other topic. Canadian publications devoted to all styles of music either exclusively or in tandem with more general editorial content directed to young readers, was expanding exponentially.[100]
Celine Dion, 2008
Canadian women at the end of the 20th century enjoyed greater international commercial success than ever before.[104] Canadian women set a new pinnacle of success, in terms financial, critical and in their immediate and strong influence on their respective genres.[105] They were the women and daughters who had fought for emancipation and equality a generation before.[105] Most notable is French-Canadian singer, Celine Dion, who became Canada's best-selling music artist,[106][107] and who, in 2004, received the Chopard Diamond Award from the World Music Awards for surpassing 175 million in album sales, worldwide.[95][108][109][110]
21st century
See also: Caribbean music in Canada and Canadian hip hop
The turn of the millennium was a time of incredible nationalism, at least as far as Canadian radio is concerned.[111] The 1971 CRTC rules (30% Canadian content on Canadian radio)[61] finally come into full effect and by the end of the 20th century radio stations would have to play 35% Canadian content.[112] This led to an explosion in the 21st century of Canadian pop musicians dominating the airwaves unlike any era before.[113] In 1996, VideoFACT launched PromoFACT, a funding program to help new artists produce electronic press kits and websites.[114] At about the same time, the CD (cheap to manufacture) replaced the vinyl album and Compact Cassette (expensive to manufacture).[115] Shortly thereafter, the Internet allowed musicians to directly distribute their music, thus bypassing the selection of the old-fashioned "record label".[7][116]
Canada's main stream music industry has suffered as a result of the
internet and the boom of independent music. The drop in annual sales
between 1999 - the year that Napster's unauthorized peer-to-peer file sharing service launched[117] - and the end of 2004 was $465 million.[118] In 2007, Canada joined the controversial Anti-Counterfeiting Trade Agreement talks,[119] whose outcome will have a significant impact on the Canadian music industry.[118][120] In 2010 Canada introduced new copyright legislation.[121]
The amended law makes hacking digital locks illegal, but enshrine into
law the ability of purchasers to record and copy music from a CD to
portable devices.[121]Anthems
Sheet music for Canada's national anthem. O Canada
Main article: Anthems and nationalistic songs of Canada
Patriotic music in Canada dates back over 200 years as a distinct category from British patriotism, preceding the first legal steps to independence by over 50 years. The earliest, "The Bold Canadian", was written in 1812.[122]- "O Canada" - the national anthem adopted in 1980.[48]
- "God Save the Queen" - Royal Anthem of Canada and previously the national anthem until 1980.[123]
- "The Maple Leaf Forever" - unofficial old national anthem 1867.[124]
- "Alberta" official anthem of Alberta.[125]
- "Ode to Newfoundland" - official anthem of Newfoundland and Labrador.[124]
Accolades
Shania Twain holding her 2011 Juno Award
The Governor General's Performing Arts Awards for Lifetime Artistic Achievement are the foremost honours presented for excellence in the performing arts, in the categories of dance, classical music, popular music, film, and radio and television broadcasting.[128] They were initiated in 1992 by then Governor General Ray Hnatyshyn, and winners receive $25,000 and a medal struck by the Royal Canadian Mint.[129]
Canada also has many specific music awards, both for different genres and for geographic regions:
- CASBY Awards – Canada’s annual independent and alternative music awards
- Canadian Country Music Awards – Canada’s annual country music industry awards
- GMA Canada Covenant Awards – Canada’s national awards for the Gospel music industry
- East Coast Music Awards – annual music appreciation for the East Coast of Canada
- Felix Awards – annual prize for members of the Quebec music industry
- MuchMusic Video Awards – Canada’s annual music video awards
- Polaris Music Prize – award annually given to the best full-length Canadian album based on artistic merit
- Canadian Urban Music Awards – Canada’s annual urban music awards
- Canadian Aboriginal Music Awards – Canada’s annual appreciation for the promoters, creators and performers of Aboriginal music
- Western Canadian Music Awards – annual music appreciation for the western part of Canada
Cultural and regional
|
Main articles: Music of Canadian cultures and Canadian music genres
Distinctive music scenes have been an integral part of the cultural
landscape of Canada. With Canada being vast in size, the country
throughout its history has had regional music scenes, with a wide and
divers accumulation of styles and genres from many different individual
communities, such as Inuit music, music of the Maritimes and Canadian fiddle music.[130]See also
- The Top 100 Canadian Albums
- List of diamond-certified albums in Canada
- List of number-one singles (Canada)
- List of radio stations in Canada
- List of Canadian composers
- List of Canadian musicians
- List of bands from Canada